You are creating a life that the character has lived, just like any other real person would.
They may have qualities that resemble the people you know, the person you are, or the person you want to be, but they must be a complete idea before they can convince any reader that they should be listened to and read thoroughly.
Although it’s clearly a cause for celebration—or at least relief—when a character appears in the mind’s eye fully formed, the reality is that for most of us, this is a rare occurrence.
Certain techniques are required to will our characters to life.
This is a perfect demonstration that simply by giving the character a deep-seated need or want, you can automatically create conflict, for the world is not designed to answer our desires as easily as we might hope.
For your character, a secret is that inclination or trait (such as a psychological disposition to dishonesty, violence, sexual excess, or the abuse of alcohol or drugs, to name a few) or an incident from the past that, if revealed, would change forever the character’s standing in her world, among co-workers, neighbors, friends, family, lovers.We all know people who are both shy and rude, cruel but funny, bigoted but protective.This complexity, which seems to particularly manifest itself during times of stress or conflict, is what can make a person inherently unpredictable, setting the stage for the kind of surprising behavior that can keep readers enthralled, wondering what might happen next.They have a greater set of emotions and experiences that can make them seem realistic, convincing and intriguing, as long as you—the writer—know what these characterizations are.If someone were to ask a random question about your character, possibly not even directly relevant to the story, you should know the answer as if the question was about you.A well-developed character has the ability to strengthen not only imagery and dialogue but also the plot itself in most cases.By better understanding what has gotten a character into his or her critical situation in the first place, the predicament becomes more believable.by Nicole Wong Most of us here at Bentley spend our time writing research reports or critical analyses on other peoples’ work.But what happens when you are the creator of that work yourself?At the start of the story, Blanche has lost her family home and has been left with nowhere to stay.Desperate, she has come to New Orleans to find her sister, Stella, and ask to be taken in.