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My houseguest, the brilliant theorist and activist Marina Sitrin, insisted that I had to write it down because people like her younger sister Sam needed to read it.Young women needed to know that being belittled wasn’t the result of their own secret failings; it was the boring old gender wars.
I’m grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.
By Rebecca Solnit I still don't know why Sallie and I bothered to go to that party in the forest slope above Aspen.
A British academic wrote in to the with all kinds of nitpicking corrections and complaints, all of them from outer space.
He carped, for example, that to aggrandize Muybridge's standing I left out technological predecessors like Henry R. He'd apparently not read the book all the way to page 202 or checked the index, since Heyl was there (though his contribution was just not very significant).
The battle for women to be treated like human beings with rights to life, liberty, and the pursuit of involvement in cultural and political arenas continues, and it is sometimes a pretty grim battle.
When I wrote the essay below, I surprised myself in seeing that what starts out as minor social misery can expand into violent silencing and even violent death.
Right now, Noam Chomsky’s book Today is another Tom Dispatch “best of” -- the return of a piece that has never really gone away by a site favorite, Rebecca Solnit.
It’s definitely a TD “classic,” now with a new intro by the author.
When explaining that, though Muybridge had made improvements in camera technology, he had not made any breakthroughs in photographic chemistry. Both Philip Prodger, in his wonderful book on Muybridge, and I had actually researched the subject and made it clear that Muybridge had done something obscure but powerful to the wet-plate technology of the time to speed it up amazingly, but letters to the editor don't get fact-checked.
And perhaps because the book was about the virile subjects of cinema and technology, the Men Who Knew came out of the woodwork.