It is, of course, this very social inequity, the class distinction, and the economic inequality against which Sarty's father Ab Snopes' barn burning rails.
We now can lead our students to the evidence of these social injustices within the story by identifying exemplary moments and scenes.
At the heart of Abner's defiance is his awareness that the man in the big house "aims to begin owning me body and soul for the next eight months." This outrage at his plight as tenant farmer fuels the father's rebellion against the class structure.
To attack the aristocratic class, Abner Snopes deliberately builds his fires to bum the property owned by the boss and twice destroys the rug.
We can focus on the description of the de Spain home and property, with its opulence and privilege, as representative of the Agrarians' version of "the good life." Early we need to emphasize and discuss the attraction of the young boy Colonel Sartoris Snopes to the security and comfort of this style, his attraction to his namesake's heritage.
Essay On Barn Burning How Do You Write An Essay In First Person
In his rendition of the Sartoris-like agrarian society, Faulkner acknowledges its dichotomy: the injustice, the lack of fair play, the blacks' subservience, and the divisiveness within the community which empire builders like the Sartorises and the de Spains wrought.This depiction of the agrarian society of the Sartoris family connects Faulkner to the nostalgic yearnings for a past expressed in I'll Take My Stand, the Fugitives' manifesto of 1930, a book opening the decade yet echoing sentiments of past decades.At the start of our classroom discussion of "Barn Burning," we can explain the tenets of the Fugitives, their traditional, aristocratic attitudes, and their reverence for the landed gentry life style.Specifically the concepts of "sharecropper," "poor white," and "tenant farmer" need to be fully defined and explored.Then the second courtroom scene in which de Spain exacts a payment of "twenty bushels of corn against your crop" for the ruined rug can be discussed in the context of de Spain's use of the words "contract" and "commissary." The economic and legal sovereignty exerted by the owner in this system of repressive, feudal privilege which creates the near impossibility of the tenant's ever "getting out from under" will then become more fathomable for students.Such migrations were a dominant social reality and theme of '30s artists.Now we can dwell a while on migration, as both the narrative structure and theme of the '30s classic novel, The Grapes of Wrath.Here the finer quality of the black's attire, his position within the house, and his power to deny the white entrance heighten the racial tensions.Poor "white sweat" may mix with "nigger sweat." The quality of life of the poor whites and that of the blacks are too similar: whites may now claim a racial superiority but not a class superiority. The racial element in the doorway encounter only fuels the father's rage all the more.Foremost as such an example of social injustice is the encounter at the doorway of the de Spain mansion between the Snopes father and son and the de Spain black house servant.At this moment young Colonel Sartoris Snopes (whose very names pit the aristocratic, land-owning rich against the tenant farmer poor) is ushered into the reality of class differences, that being the cleavage within the local community.