This is because Chile is the longest country in the world, stretching from the tropics to nearly the Antarctic circle.
In addition, Chile stretches from the Andes mountains to the sea, with the driest desert in the world, the Atacama, in between.
These plants are crawling with bugs and butterflies, and on average, 1.3 new species of insect are discovered every time a botanist looks at a rotting flesh plant.
At the opposite end, way down south in Chile is a subarctic environment, where only the hardiest of plants survive.
It only rains once every thirty years, so seeing the flowers bloom in the desert really is a special, once in a lifetime experience.
Because they are so rare, they are highly prized, and this is why there is red on the Chilean flag, as well as the desert blooms being mentioned in the national anthem, much Chilean poetry, etc.For example: At Chile’s border with Peru, we find densely growing subtropic plants.Plants like the giant ‘rotting flesh’ plant, whose flowers grow to the size of elephants and whose perfume smells like rancid uncooked meat.Those who stayed were surrounded by violence and repression, facing imprisonment and torture, and those forced to leave Chile had to deal with the uprootedness that exile entailed.Before and during the socialist administration, Cecilia Vicuña (b.For contradictory reasons—political as well as cultural in nature—Chile played a central role on the international scene in the 1970s.In 1970 Salvador Allende, the candidate representing the Unidad Popular, a coalition of leftist parties, was elected president in a turn of events that was as exceptional as it was hopeful: Chile represented for the world the possibility of a transition to socialism by democratic means in a peaceful revolution.The military coup on September 11 of that year—its most telling image being the Palacio de la Moneda, the Chilean seat of government and president's residence, in flames—put an end to the socialist government.Like thousands of others in Uruguay and in Argentina, Barrios left the country in a process of exile that divided society in two.signs, and posters indicated that a conception of culture immersed in the urban and popular scene had taken hold.In her song "De cuerpo entero" (1966), Violeta Parra (1917–1967) communicated the political emotion that activated multitudes, placing them at center stage.