Harold Bloom Essay Blood Meridian

Harold Bloom Essay Blood Meridian-30
But I suppose it all depends how you define “spiritual”.

But I suppose it all depends how you define “spiritual”.

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The middle ages depended heavily on Latin – the vernaculars developed out of it.

The greatest instance is Dante, who wrote some of his prose works in Latin but who chose the Tuscan vernacular for much of his work.

Of all the books you’ve written, arguably made the boldest imprint on the common reader.

I suppose it is true that, facing the decline of a literate audience and desperately trying to battle for canonical standards, my books that have had the widest direct impact were the ones that I addressed to “the common reader” – which was [Samuel] Johnson’s great designation of what a reader should be.

I never met Ernst Robert Curtius, but we corresponded and I regard him as a forerunner.

And then the author of the third book was my own marvellous teacher. I was a Cornell freshman of 17 when I met Meyer Howard Abrams, MH Abrams, who to this day is my dear friend Mike.

Dodds applied the psychological theories of the early 20th century to understanding Greek literature. Give us a précis of the theory of literary evolution you developed in that book. I gave it up because of the ambivalence I began to develop towards him.

If I live long enough, I may go back to the manuscript, which is yellowing up in the attic.

I prefer Curtius on Dante to the discussion of Dante by any other critic, because he sees that Dante is creating a myth, or even a gnosis, of his own.

Ultimately, Aristotle, Augustine and Aquinas are nowhere near as important as Dante.


Comments Harold Bloom Essay Blood Meridian

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