Pop Art Essays

Pop Art Essays-32
He built an entire artistic career on deceptively simple works that appropriated from comic books, advertisements and pulp fiction – isolating, cropping or enlarging selected elements to create striking compositions.

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one of his several particularities was that he hid his brushstrokes so they could not be seen.

In addition, Lithographs, screen prints, etchings, and woodcuts were some of the many techniques the artist used to produce a number of prints, and he often combined these techniques in a single print.

was conceived by the artist in 1974, but fabricated about fifteen years later.

It was part of a series Lichtenstein began in the 1960s in which human figures are deliberately made to resemble machines.

Lichtenstein’s decision to appropriate a scenario from a comic book marked a serious challenge to the Abstract Expressionism of artists like Jackson Pollock, which had dominated American art since World War II.

Lichtenstein was in the vanguard of the Pop Art phenomenon, which was fascinated with industrial processes and mass consumerism.

Something visually or if there are words to it – something that when it’s a painting and The majority of Lichtenstein’s work was made by stencils, therefore creating rows of over-sized dots, in result his paintings/prints would look like a huge mass publication product.

He carefully prepared and executed his work; nevertheless he wanted to make his work look like it was machine made.

However, my work is entirely transformed in that my purpose and perception are entirely different.

I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument""I try to look for something that says something mysterious, or absurd, or obvious or extremely simple or extremely complicated.

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