Spirituality In Art Essay

She is a member of the advisory board of the Courtauld Cambridge Russian Art Centre (CCRAC).

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In 1911 Vasily Kandinsky published the first edition of On the Spiritual in Art, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist.

For many artists of late Imperial Russia a culture deeply influenced by the regimes adoption of Byzantine Orthodoxy centuries before questions of religion and spirituality were of paramount importance.

Borkhardt has received scholarships from the State Graduate Funding ().

His research interests include modernism, with a particular focus on Russian art, as well as reception history, human-animal studies, and contemporary museum practice.

Read together, the essays in Modernism and the Spiritual in Russian Art exhibit how the concept of spirituality is intimately connected to even bigger themes, such as religious tradition, nationalism, ideology, and aesthetic innovation.

Though the territory it occupies is scarcely uncharted, this volume really does bring some fresh perspectives to it: it is good to note that its authors largely get away from the time-worn labels 'realism', 'symbolism', 'futurism', etc.

It compares very favourably with its well-known predecessor (1991).

Gurianova quotes Matiushin (1913) 'Art is not an entertainment and not a temple right here in the middle of the marketplace, but a new understanding of world phenomena': here one can share the implicit excitement.

She was consultant and catalogue contributor for the exhibition A Russian Fairy Tale: The Art and Craft of Elena Polenova (Watts Gallery, Guildford, 2014-15), and is the editor of Elena Polenova, is the Schulman Research Fellow at Trinity Hall, Cambridge and an Affiliated Lecturer in History of Art at the University of Cambridge.

She is a specialist in nineteenth- and twentieth-century European and Russian art, and her current book project is entitled .


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