Take The A Train Duke Ellington Essay

Take The A Train Duke Ellington Essay-77
It be true that Herman Mankiewicz wrote most of “Citizen Kane,” scene by scene and even shot by shot.What is certainly true is that nothing else that survives of Mankiewicz’s is remotely as good as “Citizen Kane.” That’s because he was writing “Citizen Kane” for Orson Welles.Yet a residue of disappointment clings to these pages: Ellington was an elegant man but not a very nice one, Teachout concludes, exploiting the musicians he gathered and held so close.

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The individual players he employed weren’t up-to-date urban players but, often, less sophisticated New Orleans musicians, whose great gift was a distinctly human tone, often achieved with the use of homemade mutes and plungers.

They never suffered from the homogenized, driving tone of the white bands.

Dignity demanded that he never take off his dinner jacket, and then it became a straitjacket.

As Balliett pointed out, Ellington knew from the beginning that he needed a , more even than a beat or a style.

Ellington was a dance-band impresario who played no better than O. piano, got trapped for years playing “jungle music” in gangster night clubs, and at his height produced mostly tinny, brief recordings.

(His finest was made on a bitter winter night in 1940, in a Fargo, North Dakota, ballroom.) How did he become a dominant figure of modern music and, for many people, an exemplar of art?

Ellington, by contrast, was a slow starter and a slow learner, whose first hits now sound dated and chi-chi. C., domestics who passed on a high sense of style and a fastidious desire for elegance, he was a city man.

There was something self-constructed about him, as there had to be with so many African-American figures of the era—he was a Duke in the same way that Father Divine was divine.

Over the years, Ellington cultivated those kinds of players until, with the 1940 band, he achieved something extraordinary—an all-star band that played together, soloed luminously, and never sounded competitive.

As critics still remark in proper wonder, at least five of the musicians—Jimmy Blanton, on bass, Ben Webster, on tenor sax, Johnny Hodges, on alto sax, Harry Carney, on baritone sax, and Tricky Sam Nanton, on the trombone—are in the running for the very best ever to have picked up their instrument.


Comments Take The A Train Duke Ellington Essay

  • Best Duke Ellington images in 2016 Duke ellington.

    See more ideas about Duke ellington, Orchestra and Jazz musicians. I played Duke Ellington's Take the A-Train today in from of my band director and assistant. A capacious and capricious encyclopedia of essays about everyone Clive.…

  • New Acquisition Billy Strayhorn Archive Library of Congress.

    It's taken nearly a year to process and catalog the collection, but it is now. Strayhorn's essay “Harmony. Billy's most famous song was “Take the 'A' Train,” which became Ellington's theme song. Before joining Duke Ellington, he wrote “Something to Live For” for his trio, the Mad Hatters, in Pittsburgh.…

  • Ellington Beyond Category - The New York Times

    The highest praise Duke Ellington bestowed on people or music he loved. music -- the sleek songs like "Solitude" and "Take the 'A' Train," the. essays, interviews with, and articles about and by, Ellington and his musicians.…

  • The Duke – Where and When A Duke Ellington Chronicle.

    Clicking a collection number will take you to a fuller description of the collection. On one-nighters, we lived out of the train, and everybody had a lower berth. DEMS 05/1-42 has an essay by Roger Boyes about the performance history.…

  • Style Live Duke Ellington -

    In a 1947 essay, Ellington wrote that "to my mind, jazz is simply the expression. Local," "Daybreak Express" and, of course, "Take the 'A' Train.…

  • Ellington on the Web - "I Ain't Got Nothin' But The Links"

    A narrative bio, then recording of Take the A Train. It's more. This essay has attracted some discussion in the Duke-LYM email discussion list.…

  • Two Bands The New Yorker

    Duke Ellington, the Beatles, and the mysteries of modern creativity. Billy Strayhorn's, including “Take the A Train” and “Chelsea Bridge,” and.…

  • The Literary Ellington - jstor

    Been an equivalent to Duke Ellington or Louis Armstrong in Negro writing.''2 Such. I will start by juxtaposing these stark claims with an early essay by one of the musicians. Bad and That Ain't Good'' and ''Take the 'A' Train.'' They did.…

  • Ken Burns Jazz-Duke Ellington -

    Duke Ellington - Ken Burns Jazz-Duke Ellington - Music. Take the "A" Train. by Duke. The booklet includes photos and an interesting essay.…

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